1,836 Royalty-Free Audio Tracks for "G String"

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 30 Fugue No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 30 Fugue No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

String Quartet No. 6 in B Flat Major, Op. 18, No. 6 - I. Allegro con brio

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Webern's String Quartet Op. 28 tone row, composed of three tetrachords: P I RI, with P = the BACH motif.

Schubert Quartett-Satz in C minor, opening bars

National anthem of Pakistan performed instrumentally by the United States Navy circa 2003.中文（简体）：巴基斯坦国歌Hrvatski: Državna himna Pakistana - Pak sarzamin shad bad

Camille Saint-Saëns - Danse macabre (Orchestre de l'Association des Concerts Colonne, dir. Louis Fourestier, 17-18 février 1953)

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."

Minuet WoO 10, No. 2, commonly known as Minuet in G Major

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Beethoven: String Quartet No. 6 in B Flat Major, op. 18, No. 6 - III. Scherzo Allegro

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

Just hitting the same chord over and over again but ending up in an almost march like beat. Probably good for an intro or breakdown.

Choro "Sofres porque queres", composed by Pixinguinha and played by ensemble "Choro Pixinguinha" (Pixinguinha in the flute and Tute in the 7-string guitar). Recorded in 1919 by Odeon.